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Classic Horror Movie Review - Creature From the Black Lagoon (1954)


Movie Release Poster Created By Reynold Brown
Movie Release Poster Created By Reynold Brown


Though sometimes shallow in terms of narrative depth, its Creature From the Black Lagoon's cinematic sense of wonder, immersive atmopsherics and engaging creature mythos that make it compellingly curious to watch, and, by extension, a must-see for sci-fi obsessives.


As far as classic horror movies are concerned, their arn't many more culturally iconic than Creature From the Black Lagoon. Directed by Jack Arnold, known for his bold contributions towards science fiction filmaking throughout the fifties with flicks like "it came from Outer Space" (1953) and Tarantula (1955), Creature From the Black Lagoon again showcases his artistic flair for atmopsheric storytelling and imaginative script design.


After archeologists discover fossilised remains of a mysterious hand buried inside an amazonian rockface, sightings of a startling creature, unknown to the journals of science, begin to surface. Where, upon further marine research, the crew are forced to confront a frightening form of evolution.



The Creature From Black Lagoon (Image the sole Copyright of Respective Owner - (Universal Studios)
The Creature From Black Lagoon (Image the sole Copyright of Respective Owner - (Universal Studios)


At times, the "Gill Man's" basic rubber-like appearance may seem a touch uninspired for today's standards, That said, expect some scenes of reality dislocation, where the monster's believability is put to the test. Despite this, thanks to clever camera trickery underwater, the amphibious creature maintains a much more siinister aesthetic when submerged.


And thanks to a darkly oninous orchestral score that would feel right at home in John William's Jaws motif, as well as a few suspenseful suprises, Creature From the Black Lagoon remains a visionary slice of sci fi cinema well worth a watch.


Check in weekly for more classic Horror Movies. Craving more chills? Here's our review of The Wolf Man (1941)







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